a collective dream with porous edges fading into the surrounding city.
when we see it snuggled within the multifaceted dimensions of reality,
there is so much more at stake
simply down the street.
especially on new years. what a random day. what’s it connected to? well intentioned partying. people need that. rhythmical celebration. resolution. it can take on the form of community when it is not all dressed up and soaked through. it seems empty, but it’s not quite like that. not quite vapid. it won’t entirely disappear. i believe it has a lot to offer people and society. but its transformational ability seems quite like the ouroboros. the snake biting its own tail. round and round it goes, reinventing itself yet still maintaining the same form.
the snake who peels through layers is still a snake.
“where’s the after party?”
“which one? there’s so many!”
“the party is in the elevator. right now!”
“i want to go home & feed my cat first.”
“the sun will be up in 3 hours.”
“honey, i love you.”
she appeared at the beginning of the party.
no one saw her. but they felt her presence.
she swept through the crowd
a hard, shadowed edge
bright as the sun. & warm like ambrosia.
it wasn’t the sun’s glow that lit her up.
she was not the moon.
she appeared dripping with what the witches call profanity:
full of sustenance, ravenous, & yet
she possessed a particular stillness that draws out the depths of sound.
like a mountain,
outside the temple,
the whisper of leaves,
the cackle of coyotes,
the wind upon precipices,
visible & meaningful, fresh.
she spoke in a weird tongue. but not weird in the strange sense.
weird in the way her language licked movement into the future.
although some chanced to see her, many never had such fortune.
everyone danced, grooved, strutted, sexed up the atmosphere. wheeled around. costumes and fancy dress to the nines. glitter. tights. lights. the bass hit deep, knees bent animate, hips punched quick, the rhythm, the night, a swirl of psychedelic symposium. an upheaval of platitudinal seduction, gushing, not so much from a deep-seated wildness, but rather an urge to love the world into fantastic nonexistence.
it’s a fun scene, but it’s an exhausted scene. the burning healing aesthetic-expression-of-spirituality scene. it’s a necessary stepping stone for some, a home for others, i’m sure it has saved many lives. and yes, it’s true- it’s abundant with people who want to explore further, who want to know deeper, who want to love freely without abandon or shame. it’s a scene that is a vehicle for nonconventional ways of relating & being. it’s true, it’s a global phenomenon and has surely impacted millions, and it’s clear people will continue to cultivate it as one might see to family. but despite the penchant for flow arts, it is a scene that lacks movement. its pitfall is hedonism. it gets lost there, and it floats, almost too comfortably, in a paradisiacal bliss, a cuddle puddle dripping tenderness into the enchanted hours of the dark night.
mama matrix most mysterious,
the lust for idealism is potently choking.
ancestors honored & blessed.
“it’s a derivative of a derivative.”
“what about the offshoots?”
“what if everyone ate ecstasy and the doors were locked for six hours
and we had to get real with one another!”
“a social experiment?”
“and afterwards, everyone hopped on a bus and went to feed the homeless.”
“a socialist burn?”
she appears like a vision at the end of the evening. when everyone else is blasted and spilling a smashy smash of semblance, she is refined and elegant. she is kept together. she isn’t at the same party as everyone else. maybe she is staying at the hotel, sipping a hard drink at the bar before heading off to her room. or maybe she waltzed in with an irresistible charm, spontaneously called from afar. her chariot, the deep cold of the night, collectively arriving, carried lovely from the sea by a murder of ravens guided by moon and stars.
they woke up sweaty. a boutique hotel the dead of winter. they fell back asleep. adjusting. cuddling. two husbands and a wife. she in the middle, turning one side to the other with the frequency of a full moon. sleepless, dreaming. the three lavishing the sunrise. each one, the other, a lover. resting.
a man like a hobbit asleep on the floor. he snores like a chimney.
have you ever gone to bed and awoken in another dream?
a woman sits at a diner’s table staring into the distances.
her eyes blank, gazing, she cries lonely without a tear. a thought flits across her face, seen in the catch of her eyes, her cheek muscles pulsing faintly. she is not alone. she snaps into her body and looks at her husband. she beckons with her lips, perched, cooing, purring moist like a cliff overrun with waterfall. enticing him with her eyelashes, batting at a distance, dancing gently in the air, wings light as feathers. love, love me. love you.
he’s engrossed in his phone.
he mumbles something to her without looking up.
she laughs without a sound.
she coolly recoils into her own blank stare, looking at the space ahead, nowhere, a fantasy too far away, it flickers & wisps like a cloudy dream, a morning fog, she almost grasps it, a reality so intricately webbed, so convincingly cradled, so fragilely lost.
the waitress sets a cup of coffee under her nose.
she smiles thank you. isn’t this happy, a tiny excitement.
she sips like a bird, the steam wafting hot.
a thought again flits across her face and she smiles, looks to her husband and beckons, lips pursed, so unforgivably supple, he feels a light pout, the fragrance of a kiss, and he moves closer, unconsciously, still glued to his phone.
she purrs, and snaps her neck quickly, any more sharply and it may have hurt. her eyes zip focus. another thought, her husband moves an inch closer.
they know this game well.
she stalks him like a wild animal.
why? she doesn’t need him.
she wants him.
her desire isn’t licentious.
it’s an indefatigable aspect of being human.
and the heat of her look touches him, but only nibbles the periphery of his being. as she massages with patience, he begins slowly to put down the device. he looks at her and she smiles, slowly drawing him closer like a mama spider wrapping up a bit of nourishment & death.
sometimes it’s fireworks. sometimes it’s guns.